Within the FUSE segment by Neville Brody, he mentioned other type designers that he worked along side for this project. The names he listed are
Geared Unger, Barry Deck, Paul Ellimans, Rick Vermeulen, PhilBicker, Tobias Frere-Jones, Cornel Windlin, Mario Beernaert, David Crew, John Critchley, Florian Heiß, Anna-Lisa Schönecher, and Jason Bailey. I have chosen the following six to research:
Phil Bicker
Phil Bicker is an internationally renowned creative director, designer and photo editor who has worked for editorial, advertising, fashion and art clients. Phil initially established himself as an art director at The Face in London where he gave many now established photographers their first commissions. He art directed Creative Camera Magazine for a number of years; as creative director of Vogue Hommes International he encouraged fine art photographers to create fashion stories. Since moving to New York, he has worked for a diverse client base including Calvin Klein, BBH on the Levis account and until recently, was creative director at The Fader. He continues to place photography at the center of his creative endeavors splitting his time at Magnum Photos and Time magazine.
http://honorabledanielsan.wordpress.com/2013/01/09/interview-with-phil-bicker/
Tobias Frere-Jones
Over 25 years, Tobias has established himself as one of the world’s leading typeface designers and created some of the world’s most widely used typefaces. He received a BFA in Graphic Design from the Rhode Island School of Design in 1992. He joined the faculty of the Yale University School of Art in 1996 and has lectured throughout the United States, Europe and Australia. His work is in the permanent collections of the Victoria & Albert Museum in London and the Museum of Modern Art in New York. In 2006, The Royal Academy of Visual Arts in The Hague (KABK) awarded him the Gerrit Noordzij Prijs, for his contributions to typographic design, writing and education. In 2013 he received the AIGA Medal, in recognition of exceptional achievements in the field of design.
Cornel Windlin
After graduating from Schule für Gestaltung Luzern, Cornel Windlin moved to London in 1988 to work for Neville Brody and later became art editor for THE FACE magazine. In 1993 he returned to his native Switzerland and started his own design practice in Zurich. He currently works as a designer/art director in both Zurich and London for a number of clients in both cultural and commercial fields. Cornel Windlin started creating typefaces primarily for use in his own work while still at art school. Windlin has created corporate typefaces for clients as diverse as Mitsubishi cars or the Herzefeld Memorial Trust, or custom fonts for projects at Kunsthaus Zurich, Tate museums as well as various editorial projects.
https://www.fontfont.com/designers/cornel-windlin
John Critchley
John is most recently employed as Art Director of the cultural institution, Southbank Centre, Europe’s largest centre for the arts, after previously working with Neville Brody's research studios in London. Since then has worked for a number of different clients across all media, including projects for advertising, television, film, publishing and record companies. Recently formed Visual Material which undertakes print, animation and web design projects.
https://www.fontfont.com/designers/john-critchley
Anna-Lisa Schönecher
Anna-Lisa holds two BA degrees (graphic design and product design) and an MA in communications design from the Royal College of Art. She began her career at Pentagram working on editorial and corporate design projects for the Tate Gallery, the National Trust, Boot Clibborn Editions and Time Life. She designed the typeface “White No Sugar” for FUSE and her work has been recognised by the New York Art Director’s Club and One Show Interactive amongst others and published in “Women in Graphic Design 1890-2012” and “G1, Icons of Graphic Design”.
http://www.designindaba.com/articles/creative-work/fuse-power-20
http://www.schoenecker.com
Barry Deck
Born in Mount Pleasant, Iowa, in 1962, Deck grew up to work with design, specifically type. It is said he is seen as being quite a radical. Deck is associated with distorted typefaces. His typefaces came to typify the 'new wave' of the early 1990s and Emigré proclaimed his font Template Gothic as "the typeface of the decade". In 1995 he set up his own company, Dysmedia, and has worked with Pepsi, Reebok, Nickelodeon, and VH1.
On of his more famous fount are templet gothic as seen below
http://www.identifont.com/show?1HV
http://www.barrydeck.com
